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When the doctor diagnoses TB and admits the man to hospital, he goes through the various stages of the disease, and leaves the hospital in good health. A concluding statement reveals that the death rate from the disease has declined from 4, in to 1, in An aerial shot of the new James Connolly Memorial Hospital at Blanchardstown, Dublin, concludes the film with an assurance that Ireland's employment of modern methods in treating the disease and the introduction of the BCG vaccine are capable of countering it.
Note This is the Irish-language version of this film. Shotlist Various images of everyday life in Ireland are shown, including: men clocking in and out of work;women working on an assembly line, a man ploughing with a tractor, a man fishing, Moore St. The film reconstructs a mother's visit to the school with her young daughter and shows the diagnosis, treatment and education of deaf girls.
Church interior. Nun kneeling at pew. Morris Minor drives to gate of the School for the Deaf drives into driveway and parks at front of school. A small girl carrying a white teddy bear and her mother get out. Mother and child greeted at door by nun. Parlour room - mother and nun chat while girl plays with toys at a nearby table. They exit the room. Pan around clinic interior where the child is having an object inserted into her ear by a nun. CU ear mould. Doctor examining girl's mouth and ears. Girl plays a game on the tabletop. Mother sits at a table while the nun moves behind the girl's back tapping on a small drum.
CU reel-to-reel tape recorder running.
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Girl, wearing headphones, plays a game at a table while the nun operates a sound monitor. Doctor and nun stand at table reading Audiogram. CU audiogram chart with the name Mary Smith at the top. Nun and doctor discuss chart. Doctor and nun reassure mother - the doctor demonstrates how to wear a hearing aid on the little girl's teddy. In class, a nun leads a prayer session with the children. Pan upwards to crucifix. Children in nursery with nuns.
Girl at table with teacher - arranges cards. Prompted by a nun, a girls looks at her lips in a mirror while speaking into a microphone.
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Girls in aprons painting on easels - shots of individuals. Teacher and girl in headphones speak into microphone - table-mounted bulb flashes to indicate volume intensity. Uniformed girls in class recite speech from blackboard. Teacher indicates phrases with stick. Girl called to top of class to recite into microphone.
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Shots of adding lessons - sums written on blackboard. Grammar lessons from blackboard. Auditory training: group of girls around circular table. Girls in class playing drums and tambourines while nun indicates musical phrases on blackboard. Nun singing into microphone as reel-to-reel records - rightward pan across class. Adolescent girls in aprons mixing flour in mixing bowls. Girls putting bread through bread crumb processor.
Girls working at sewing machines girl being measured girl and teacher working on embroidery. Small girls in playground supervised by nuns girls playing Gaelic football. Woman at keyboard with tube in mouth melodica? Girls and teacher dancing to gramophone records CU disc 'Blue Danube Waltz' girl dressed in white dancing on stage four girls in white dancing two girls Irish dancing in traditional costume. Mother and daughter bid farewell to nun at front door of school they walk away down a narrow path then step onto the grass.
Mother and girl pray at a statue of St Dominic, then leave by the gate. A still image of Christ healing the deaf man follows - it is accompanied by the inscription: 'He hath made both the deaf to hear and the dumb to speak. O'Farrell, F. Shotlist An acted sequence shows a visit by a representative of the Scheme to a farmer's wife.
Joyce and the Victorians
When the parish priest turns on the lights in the parish hall, he throws "light on a subject" and launches the district's electricity. Appliance demonstrators arrive in the ges to demonstrate and sell labour-saving consumer products such as electric irons and kettles. The film's main stress lies in its assertion of the urgency of using electricity to increase agricultural production.
Shot sequence:Unidentified Irish landscapes. Commentary refers to the rural electrifictaion scheme begun in Shot of a man up an electricity pole;a stone cottage; map of the Dingle peninsula in which electricity routes are marked. Sequence showing a man arriving at a house to wire it for electricity. The woman living there talks about the benefits of electricty.
A sequence of people talking about their responses to electrification. Interior of ESB offices. Sequence showing the process of establishing electrical networks; two men in filed drilling then erecting telegraph pole. Boat on a river. Sequence showing a switch-on ceremony in a town hall; men on stage where a banner announcing "Rural Electrification".
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A man finishes his speech on rural electrification then switches on electricity. Woman on stage demonstrates the usefulness of electricity for cooking. Sequence of several women in homes plugging appliances into sockets. In the hall a celebration follows the ceremony with people dancing and playing the fiddle and mouth organ.
by James Joyce
Shots of women cooking and washing clothes with the help of electricity. Sequence showing farm life: woman carrying pails; cattle on country road; cattle at trough; cow at a milking machine; pigs at a trough. Shot showing installation of pipes in the ground; pipe is pulled by tractor; shot of an electric pump and of people using it.
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Various uses of electricity are depicted including its use in hospitals, an illuminated O'Connell Street, Dublin, at night, Radio Eireann, a cinema projection room, and a glass house. The film also shows the initiation of the Rural Electrification Scheme in - rural benefits of electricity are emphasized through efficiency and hygiene on the farm, increased productivity and benefits for the farmer's wife. A street scene in Cork, , is used to introduce photographic representation, 'a new window is opened on to the past by which we can look at it through 20th Century eyes'. Queen Victoria visits Ireland in A documentary film using manuscript, photographic and newspaper material and archive film footage to trace the struggle for Irish independence.
The film begins by illustrating how artifacts and manuscripts can serve as historical records. Chapters from Irish history - from the iron age through the medieval period to the early nineteenth century - are briefly recounted. Photographic representation, the commentary asserts, means "now a new window is opened onto the past by which we look at it through twentieth century eyes. The role of developments such as the Land War and the influence of Afrikaner nationalism and the Boer War in the national revival are charted.
The conflict over Home Rule the proposal for self-government for Irish within the United Kingdom is portrayed: the story of the rise of anti-Home Rule agitation and politics among Protestants in Ulster particularly is told.
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The centre-piece of the film is the Easter Rising rebellion of April The events leading up to the rebellion, the conflict itself, the surrender, the arrests, executions, imprisonments, internments and jubilant home comings are detailed. There is the impact of the executions - the rise of Sinn Fein, its victories in a series of by elections in , starting with the Roscommon by election. All of this lays the foundation for an exegesis, the Sinn Fein electoral success in the British general election of The film Mise Eire stands on its own but may also be seen as one of two films - the other being Saoirse?
Both these films chart, from a distinctly and unashamedly nationalist perspective, the story of the rise of Irish political nationalism and the birth of the modern Irish state. The period covered by the films is from the s through to Mise Eire: Mise Eire, the first of the films, covers the period up to , the British general election of that year and the return of Sinn Fein candidates in 73 out of a total of constituencies in Ireland.
The election was the last all-Irish election to the Westminster parliament.